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Midtown’s Sun Theater is So Appealing

July 21, 2011 History/Preservation, Midtown, Planning & Design 11 Comments
ABOVE: Sun Theater at 3627 Grandel Square

Few vacant buildings in St. Louis are as captivating to me as midtown’s Sun Theater. Why is that? The massing & detailing is pleasant but not extraordinary. The materials used compliment each other nicely. But what if the neon sign were gone? See a nighttime photo of the sign at Cinema Treasures.

Michael Allen successfully argues the appeal is not the sign, but the facade:

The Sun’s main attraction is its gorgeous neoclassical front elevation, articulated by glazed cream terra cotta, a projecting cornice and striking framed brick panels. The terra cotta includes theatrical grotesques over the arched windows at center and in the cornice’s upper garland course. These grotesques and other pieces are accented with a brilliant blue glaze. Two fluted pilasters with ionic capitals at the center bay over the entrance project a sense of gravitas contrasting with the more Baroque sensibilities of the rest of ornament.

Landmark’s Association placed the Sun on their Most Endangered List in 2007:

Putting the *Sun Theater at 3627-31 Grandel Square on our endangered list is merely an early warning. The pedestrian-friendly Renaissance Revival theater, built by the German Theater Society in 1913 from plans by Widmann & Walsh, is graced by an elaborately decorated front elevation complete with grotesque theatrical masks and heavy garlands. Inside, the $120,000 playhouse originally featured an 1800-seat, first-floor theater for German-speaking stock companies; a lecture hall was located on the second floor. The 1915 City Directory documents the two original names in use at the same time: The Victoria Theatre and The German Theatre.

With World War I came a national backlash against Germans and the theatre closed. Reopened after the war under new management as The Liberty, the building (with seating reduced to 1000) has since housed movies, vaudeville, burlesque, a night club and an evangelical church. (Later name changes included the World, the Sun and the Lyn.) LANDMARKS’ Midtown National Register nomination from 1978 described the remains of the interior as follows: “Bits of maroon, red and gold are faintly visible through the gloom of an interior picked by scavengers.” Vacant since 1981 and now owned by the city’s Land Reutilization Authority (LRA), the exterior (sporting volunteer trees and a cheerful “Sun” sign installed and maintained by Grand Center) is starting to show alarming signs of deferred maintenance. Recent hopeful rumors suggest that a media-related reuse is under consideration.

Apparently the Grand Center Arts Academy plans to renovate the building as an expansion of their newly renovated space next door, to the east. Let’s hope they, or anyone, renovates and occupies the structure soon.

– Steve Patterson

 

Currently there are "11 comments" on this Article:

  1. Kevin B says:

    Here’s hoping something happens there…

    Maybe a live studio audience venue for some new local KDHX programming akin to a “Wait, Wait Don’t Tell Me” or radio theatre? Yes please.

     
  2. Kevin B says:

    Here’s hoping something happens there…

    Maybe a live studio audience venue for some new local KDHX programming akin to a “Wait, Wait Don’t Tell Me” or radio theatre? Yes please.

     
  3. Anonymous says:

    Those fluted whats-its are nice, but the appeal is all about the scale.  It has a nice compact shape, slightly squashed square in elevation. There are those exaggerated corners and cornice, big texture. There are windows and doors, feeling a bit squeezed.  And then at human level it is actually relatively low and very simple. It’s that contrast that one can imagine would make the experience of entering it electric, if one ever got the chance.

     
  4. arkiben says:

    Those fluted whats-its are nice, but the appeal is all about the scale.  It has a nice compact shape, slightly squashed square in elevation. There are those exaggerated corners and cornice, big texture. There are windows and doors, feeling a bit squeezed.  And then at human level it is actually relatively low and very simple. It’s that contrast that one can imagine would make the experience of entering it electric, if one ever got the chance.

     
  5. Allen’s paragraph reminds me of the back of a bottle of wine.  
    “…a hint of nutmeg and cherry sweep your senses before the rush of deep oak aged cover……”

     
  6. Allen’s paragraph reminds me of the back of a bottle of wine.  
    “…a hint of nutmeg and cherry sweep your senses before the rush of deep oak aged cover……”

     
  7. Victor says:

    I would be very surprised if this building ever gets renovated.  Back when the Rep was starting the off ramp series they looked into purchasing the building and renovating it,  but the damage to the roof was far to substantial to make it feasible. 

     
  8. Victor says:

    I would be very surprised if this building ever gets renovated.  Back when the Rep was starting the off ramp series they looked into purchasing the building and renovating it,  but the damage to the roof was far to substantial to make it feasible. 

     
  9. Midtown’s sun Theater looks so good. It will be nice to see
    the renovation of the building.

     
  10. Will Fru says:

    Ah, but KDHX’s new space (the former Creepy Crawl) will have its own venue.

     

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